Martin Furey's Shot      Back to Martin Furey's Shot home Gallagher's writing skills shine in 'Furey's Shot' reviewed by Jack Helbig Daily Herald May 12, 2005 Many of the best playwrights began their writing lives as actors: Moliere, William Shakespeare, and, yes, even David Mamet put in his time on the boards before picking up the pen. So did Maureen Gallagher, author of "Martin Furey's Shot," the intense new drama receiving its world premiere at the TimeLine Theatre Company. I first saw her light up the stage many years ago in a Court Theater production of "Mrs. Warren's Profession." And I have seen her shine over the years in dozens of subsequent productions. It's apparent that her superb skills as an actor have informed her playwriting. I don't know how else to explain such strong dramatic storytelling and believable dialogue in a neophyte playwright. "Martin Furey's Shot" is Gallagher's first produced play, but you'd never know it from the self-assuredness of her writing. There is not a false note in this tale of a brilliant but tortured photojournalist, haunted by the startling, horrifying images of war and conflict he's taken over the years. We don't just see his descent into alcohol- and drug-induced despair; we feel it. That's not an easy trick, especially when there are so many temptations to melodrama in such a premise. Gallagher's fine words are well-matched by Anna C. Bahow's strong, expert ensemble lead by Darrell W. Cox in the title role. A seasoned veteran of Chicago's theater scene, Cox long ago learned the art of speaking volumes with just a small gesture or an understated variation in his voice. In the tradition of true Chicago-style ensemble-work, Cox is only one of five terrific performers. Each pulls his or her weight and adds to the overall success of the show. Terry Hamilton in particular deserves praise for his moving performance as a South African journalist willing to put his life on the line again and again as he documents what he hopes is the transformation of his beloved country from a repressive, racist regime into a fine society that might show the way for all of Africa.